The Tate Modern
The majority of pieces that I was attracted to in the Tate was the compositions that had a lot of contrast in abstract mark making as well as a small amount of photography.
Gerhard Richter A piece from his series, "Cage" 2006 Acrylics and Oils 3000x3000mm |
This composition was one of the pieces that attracted me most as I am fascinated by his technique and how the layers have allowed him to achieve a similar look to erosion. The contrast in marks is something that I want to show as well, which is why it may be good to see if I can work in a similar style, despite the fact that his work is slightly different to the figurative expressionist pieces I am currently looking at. By painting layers and then scratching and peeling away, Richter is able to create a similar texture to eroded walls and in some places he has also used other marks such as drips and splats; this is something that really interests me. The pieces are named after an American minimalist and experimental composer whom Richter listened to when creating these paintings. In a similar way to Richter, I would create my pieces as a response to my concept and maybe even other pictures or sounds relating to my theme.
Tsuyoshi Maekawa "Two Junctions" 1962 Oil Paint and Burlap on Canvas 1621x1302mm |
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